1.8.08

Things Are Not As They Stream

Mother always said not to believe everything you see on the internet. In the online environment, how far can brands go when stretching the truth? Certain viral campaigns are walking a thin line between voluntary engagement and deception. Do consumers feel they are being lied to?

Late in May, a public-relations company based in Paris created some user accounts on YouTube and posted four short videos. The clips had been produced by a professional advertising studio to look thoroughly homemade–shaky camera, unscripted-sounding dialogue, no corporate logos or overt marketing pitches. In each one, several young friends gather around a table and aim the antennas of their cell phones at a few kernels of popcorn. The kids dial the phones, and when they ring, the popcorn begins to pop. The friends—in different versions, they're American, Japanese, French, and English—explode into shock and laughter, and just then the videos cut off.

The clips were an instant hit. Within two weeks, they'd been seen 10 million times. Fear was a primary motivation: Many viewers took the videos as evidence supporting long-standing concerns over the health dangers posed by cell-phone radiation. If phones do that to popcorn, imagine what they do to your brain! But on June 12, a wireless headset manufacturer called Cardo Systems announced that it had commissioned the videos (and added the pop-up ads you now see on the clips). Special effects, not cell phones, had popped the popcorn. CEO Abraham Glezerman told CNN that the company had never meant to scare people into buying more headsets—which some neurosurgeons recommend to reduce exposure to cell-phone radiation. Rather, Cardo just wanted to convince viewers to send the clips to their friends. He insisted, "The truth is that it was funny!"

Ha, ha, ha. These days the Web brims with opportunities for such chuckles. "Stealth viral" video ads—i.e., clips that betray few obvious signs that they're part of a campaign—have invaded the Internet. You may think you've just seen a ball girl at a minor-league baseball game scale a wall to catch a foul. Wrong: She's a stunt woman, and that's a Gatorade ad. Did you recently send your friends that kick-ass security-cam clip of an office worker going berserk? If so, you took part in director Timur Bekmambetov's bizarre stealth advertisement for his film Wanted. Ray-Ban, Levi's, Nike, and other brands have also recently launched similar campaigns.


The viral epidemic isn't necessarily a terrible thing; some spots, like those from Nike and Levi's, are actually pretty creative and entertaining, at least compared with most other online ads. But Cardo's commercials point to the ugly side of what Rob Walker calls "murketing," the obscure form of persuasion that has been on the rise in the ad business in the last couple of decades. The cell-phone popcorn ads peddle false consumer-safety information in an attempt to trick people into buying Cardo's wares. And the medium lets Cardo off the hook for this deception—when called on it, the company can laugh off the whole thing as the kind of mischief that's de rigueur on the Internet.

The problem isn't just that Cardo is lying—it's the nature of the lies. After all, most viral ads depend on some measure of misinformation. On the Web, customers aren't immediately put off by the possibility that they're being duped, says Josh Warner, the president of Feed, a company that helps "seed" marketing videos by talking them up to bloggers. The mystery surrounding a video's authenticity pushes folks to share it with their friends.

The most popular ads feature scenes that aren't obviously impossible, just nearly so, leaving the is-it-real debate raging on blogs and comment threads. In a Nike spot seen more than 3 million times, Kobe Bryant appears to jump over a speeding Aston Martin. As many YouTube viewers point out, it's at least conceivable that he could do so, isn't it? Maybe, but come on, Kobe would never do that. It must be a trick—after all, look at all the suburban white kids who can do the same thing. (I called Nike to ask if Kobe really jumped but got no reply; in a TV interview, he seemed to admit it's fake.)

More sophisticated viral ads turn their deception into a kind of interactive game, planting subtle clues pointing to their corporate source. In May, Levi's posted "Guys backflip into jeans," a nearly two-minute-long video showing young men doing a series of increasingly more difficult acrobatic jumps into pairs of jeans. Nowhere in the video is Levi's mentioned, but the guys do note, several times, that their jeans are button-fly (like Levi's 501s). The film had also been posted under a YouTube user account called "unbuttonedfilms." Within three days of the ad's appearance, Gawker fingered Levi's as the source.

Gawker's report only played into Levi's campaign, says Robert Cameron, the company's vice president of marketing. What marketers call "the reveal"—the manner in which the ad is discovered to be a fake—is a key moment in a viral spot's life cycle. Of the 4 million people who watched the back-flipping jeans ad, there were many who never associated the ad with Levi's. But for people who did understand the ruse, the mystery worked in Levi's favor. "The fact that some people don't know that we're behind it makes the people who do know have some knowledge that makes them feel cool," Cameron says.

The Levi's and Nike spots might hurt you if you try to imitate the crazy stunts they portray; otherwise, their deception is largely harmless. (Bryant does warn people not to try to jump over an Aston Martin at home.) The Cardo ad is another story. Health concerns may push many people to buy Bluetooth headsets, but the research connecting cell phones to brain tumors is unclear, and Cardo would face an outcry—not to mention possible legal or regulatory action—if it straightforwardly marketed its products as being "safer" for you.

This speaks to the dark magic of a secret ad: It allowed Cardo to feed those fears without taking responsibility for them. In addition, the ads boosted Cardo's brand: Kathryn Rhodes, the company's marketing director, told me that sales and traffic to its Web site soared after the firm revealed that it was behind the videos.

And when confronted with the idea that it lied to people, the company can point to the medium as an excuse. Because the spot debuted on YouTube, "we were relying on the fact that people would know it was obviously humorous and fictitious," Rhodes says. In other words, what fool would believe anything he saw online?

True. But what fool should buy from a company that takes its customers for fools?

Source - Slate

Cardo Video - here

Spin Doctors

Trust is a word few people would attribute with marketing. In fact, when it comes to trust, the general public puts marketers in the same category as lawyers and car salesmen. The art of "spinning" is a very fine skill that must be exercised with caution. Learn how to appropriately balance you messaging with the following pointers.

In our company we value integrity, yet leaders – especially in marketing - are taught to "spin" to make products and services sound good to clients. When is "spinning" a message a good thing? When it is wrong?

Every company that sells products or services "spins" these in a positive way to clients. This is not immoral, illegal, or unethical. It is just good business.

I believe that spinning is perfectly appropriate when:

• The benefits described by the sender of the message are real – and truly add value to the receiver of the message. For the long-term viability of the organization, business transactions need to be "win-win."
• The spinning is done to help the larger good – not just promote the person doing it.
• The sender describing the benefits truly believes that the overall impact to the receiver of the message is positive. For example, great leaders effectively promote their organizations. They may highlight the positives of their companies more than the negatives, but they believe (on balance) that their organizations add value to stakeholders – whether they are employees, stockholders or customers.
• Optimism is balanced with realism. Optimism is a characteristic that is highly correlated with success in any field. Yet optimists often over-commit. In the short-term, positive projections for the future may motivate people to buy products, services or stocks. In the long-term, leaders have to consistently deliver on promises – or they will be seen as being to unreliable to justify an investment.

Spinning becomes dysfunctional when:

• The sender of the message knowingly lies to the receiver. I always teach that leaders who knowingly commit ethics violations should never be coached – they should be fired. Even one integrity violation can ruin an otherwise wonderful organization.
• The spinning is designed to enhance the personal benefit of the sender – at the expense of the receiver. One variation on this theme is the agency problem that recently occurred with sales people who were promoting very shaky mortgages just to collect a commission. This dysfunctional spinning led to countless disasters for buyers – who lost their homes and ruined their credit ratings. This spinning also hurt the financial institutions – which lost billions of dollars.
• The company will not deliver the benefits that are being sold to the receiver of the message.

As usual, this was a great question!

Readers – Please send in any of your ideas on when spinning is a positive – and when it is dysfunctional. If you can give any examples, they will be welcome.

Source - Harvard Business Publishing

Leading The Consumer

Here's another reason consumers are skeptical about marketers. Decoy marketing leverages the way our brains process decision-making when making a purchase. By tapping into the relative analysis that goes on in our heads, marketers can subconsciously lead consumers to make one decision over another.

Need to sell more of a product or service? Here’s a counterintuitive idea: offer your customers a similar, but inferior, at about the same price. While it’s unlikely that they will actually buy the less attractive item, you may see a jump in sales of what you are trying to sell. That’s decoy marketing.

Here’s a real-world example. The last time I needed a can of shaving gel, I found myself staring at a shelf full of options. Gels and foamy creams, with variations like “Sensitive Skin,” “Aloe,” “Cleansing,” and many more, lined the shelves. As I stood there befuddled by the choices, I noticed a taller can of the “Advanced” gel amidst the forest of shave products. This can was identical to several other cans of “Advanced,” but was an inch or two taller and held a couple of ounces more of product. Best of all, it seemed to be the same price as the shorter cans. I studied them for another few seconds to be sure I wasn’t missing something. Nope, I wasn’t - same stuff, same package design, same price, but 20% more product. My confusion evaporated. I had no idea how shaving gel could be “Advanced,” or how that might compare with “Aloe,” but I grabbed the bigger can, rooted around and found one more in back, and headed for the checkout with both cans. How did buyer befuddlement turn into a larger-than-expected purchase so quickly? The answer: decoy marketing. In this case, the decoy was unintentional, but there are lots of ways that marketers can use the technique to steer customers toward a decision.

In the shaving gel display, the inclusion of the extra-large shaving cream can was an accident - the store just had a few left from a previous promotion. But the principle worked just fine. In this case, the regular size cans were the decoys. As soon as I spotted a nearly identical product that was clearly a better value, that new find stood out as the right choice.

“Relativity” is the key element in decoy marketing. Our brains aren’t good at judging absolute values, but they are always ready to compare values and benefits. When used proactively by marketers, a decoy product or offer can be used to make another product look like a good value. Maybe even a no-brainer, so to speak. :) In Predictably Irrational (a fascinating read for those interested in neuromarketing and neuroeconomics), author Dan Ariely describes an experiment using magazine subscription offers. Like most of Ariely’s experiments, this one is deceptively simple. Two groups of subjects saw one or the other of these offers to subscribe to The Economist.

Offer A:

$59 - Internet Only Subscription (68 chose)
$125 - Internet and Print Subscription (32 chose)

Predicted Revenue - $8,012

Offer B:

$59 - Internet Only Subscription (16 chose)
$125 - Print Only Subscription (0 chose)
$125 - Internet and Print Subscription (84 chose)

Predicted Revenue - $11,444

Take a moment to look at this rather startling result. Both offers are the same, with the exception of including the “print only” subscription in Offer A. Despite the fact that not a single person chose that unattractive offer, its impact was dramatic - 62% more subjects chose the combined print and Internet offer, and predicted revenue jumped 43%. The print-only offer was the decoy, and served to make the combined offer look like a better value. While it’s true that Ariely’s test had the subjects make the choice without actually consummating the deal with a credit card, it’s clear that introducing the decoy made the combined offer look more attractive.

How Decoys Work

According to Ariely, decoys change behavior when a subject is choosing between alternatives that are more or less equally attractive. He gives an example of choosing between a trip to Rome and a trip to Paris, both of which include free breakfasts. One might expect a slow decision making process with a more or less even split between the two alternatives. Ariely suggests that introducing a decoy, a trip to Rome with no breakfast, would make the original trip to Rome more attractive, and that given those options the trip to Rome with breakfast would handily beat the similar Paris trip.

So, jumping back to the shaving gel topic, if a drug store received a shipment of promotional cans with an extra 20% of product inside, their first reaction might be to remove the regular cans from the shelf until the promotional stock was gone. What customer would be dumb enough to buy the small can when the bigger cans were the same price? According to decoy marketing logic, however, the store would be well advised to leave a few of the small cans on the shelf with the bigger ones. As counterintuitive as it seems, the presence of some small cans so would likely boost sales of the larger promotional cans - perhaps even taking market share away from competing products that came in the larger size to begin with.

Decoys in Real Estate

It’s been a while since I’ve been home shopping, but in my experience real estate agents often set up a tour of several homes in the same price range, leaving the most desirable for last. This seems to me to be another form of decoy marketing, particularly when the next to last house is a particularly bad comparison with the one the agent hopes to sell you (e.g., the same price but in need of more repairs). Ariely suggests that this will be most effective when the comparison is between superficially similar homes, e.g., two-story colonial-style homes with the same number of bedrooms. Buying a house is a complex, risky, and expensive process, and getting a buyer to make a decision - even when he/she knows it’s necessary - can be difficult. Clever real estate agents learn that comparisons are a key part of the buyer’s process, and that selecting the right homes to visit is a key part of moving toward a decision.

Could a Decoy Help Your Sales?

I don’t advocate any techniques that push a customer into buying something he doesn’t need or want. But sometimes, customers have difficulty deciding between alternatives and, to get the product they need, require a small nudge in one direction or the other. For example, I was going to buy shaving gel in that store no matter what, but the unintentional decoy got me to the decision point and on my way more quickly than if I had I spent another few minutes considering the weighty issues of gel vs. foam, aloe vs. sensitive skin, cheaper small size vs. expensive big size, and so on.

When creating their product offerings, most companies try to come up with the best and most attractive offers they can - a practice I wholly endorse. But, sometimes adding a less attractive offer to the mix will close more deals on the better offers without disadvantaging the customer in any way. So, next time you are coming up with your “good, better, and best” packages, consider tossing in a “not so good” package that’s similar to (but not as good as) the one you’d like to drive the most traffic to. If that boosts sales of that item, you’ll know your decoy is working!

Source - Neuromarketing

Viral Catalogue

Marketers are still struggling to understand the science and methodology that breeds a successful viral campaign. In an attempt to make sense of the apparent randomness of viral, the author of the following page has categorized past viral successes in the hope of identifying some common trends and traits.

There are exactly one hundred million billion new viral marketing campaigns seeded every 10 minutes - the vast majority are completely dire and destined to fail. So what separates success from failure? Well, the best appear to exhibit similar patterns and by using these patterns in your own campaigns you could be on your way to a free buffet and a drunken snog at next Summer’s Revolution Awards.

If you’re smart you’re probably thinking this is all very formulaic and un-creative. Well, consider the following. The drumming gorilla is just a remake of an ad for a shop called West49 in the US. The director Juan Cabral simply used a pattern where he recognised potential and executed it beautifully. The true genius of this idea is his audacity in linking it to something utterly random like a cheap chocolate brand. Juan got a black D&AD pencil for his efforts.

DISCLAIMER: Please bear in mind that absolutely no genuine empirical or meaningful data was used in this study so don’t blame me if your viral lands you in the dole queue. Remember, 90% of this stuff is in the execution. Juan didn’t just put a drummer in a gorilla suit, he personally trained a silver-back gorilla for 3 years to get him to play drums better than Phil Collins, 6 of the rhythm-less beasts had to be ‘let go’ with a lethal injection before he came out with the winning ape. There’s no trickery or CGI - it is pure human endeavour. I’m clearly labouring the point with bare-faced lies but I’m simply stressing that the real trick is in how you use the pattern and the brand in combination.

1. The Brand Master/Slave Bond

Example: John West Tuna

This is a straight-up old-school classic. It’s a no-brainer - you scale a building, you shave your nuts, you fly to the moon and you do all of this to bring to the consumer the finest ingredients, ideas or services that can be found. One famous French cosmetics brand might have 12-year-old divers that swim to the bottom of the ocean to find crushed Jurrasic Pearls, many of which don’t come back but they’ve done it for you because you are worth it! In reality it’s more likely that your client actually does very little for the quality of the product and is actively avoiding the challenge of doing any real work to improve it, hoping that their agency can mask over this little fact. If your product or brand is of a low quality, this is the pattern for you my friend. Clients love this one because it makes them look great. If you’re using sweatshop labour in Indochina, make sure you emphasise the fact that the clothes are hand-stitched by fair young maidens in far off lands. You catch my drift?

2. Brandophilia

Examples: Snickers Kiss, Skittles Rabbit

This is another classic where #1 is reversed so we see the consumer doing obscene and/or comical and/or desperate things in order to get their hands on your wonderful product. This appears to work great for products that are tasty or emotionally stimulating and is often used on a fairly naive and suggestible target market such as children or men.

3. Doomsday Branding

Examples: IKEA Tidy Up

Scaremongery has been a constant favourite in British advertising since the dawn of the TV age. Home cleaning products and health remedies favour this approach because it allows them to scare the shit out of housewives that never paid attention in Chemistry class at school. We see this kind of thing every day - “Clean your toilet with our product or else germs will learn to talk, become obnoxious and criticise your choice of bra”, “See how you’re spreading that lethal chicken juice around your home when you don’t clean your hands properly?” and “See how this beautiful and talented child would have lived had you been driving just 5MPH slower, you bastard!?”. Use this classic wisely.

4. Brand Halo Effect

Example: Honda Cog, Sony Bravia Play Doh or Palline or Foam

This is a recent phenomenon that requires some serious wonga in the KERCHING!! department. The Honda Accord Cog ad from Wieden + Kennedy cost over £3 million - we’re talking blank cheques here. What happens is as follows. A big brand with a large amount of spare cash that they don’t know what to do with hits up a hip agency in London or New York to come up with a totally mentalist campaign and someone senior at said brand has the balls to actually do it (probably because they are fearless and Japanese). The agency thinks of the most mental and agonisingly difficult thing to do, gets some intern to do it and then films everything. They then go to the pub and get trashed on cheeky Vimtos. This is usually pretty good for technology firms that want to appear really clever. And it works great despite the fact that it was actually a shit-hot agency in Soho that came up with the idea, not the lab-coat wearing wonks in the R&D department who spend most of their time testing the sound of closing glove compartments and comparing their beards.

5. Super Hot Product Demo

Examples: Kylie’s Agent Provocateur romp, Anything by Apple, Banned Commercial - Levis, Windows Vista Aero Vs. Linux Ubuntu, Wii Fit

Possibly NSFW (particularly if you work somewhere rubbish).

If you’ve got a really ace product that people already love then it can just speak for itself and you have a really easy job on your hands. Hire Harmone Korine or Vincent Gallo to shoot something really sweet with the product. Apple love this pattern because they just show their product, stick a folksy soundtrack on it and everyone goes ‘Ooooooh, where can I buy it?’ The underlying strategy for tech firms here is to distract the consumer enough so they forget to download your spec sheet and realise they can’t actually do any of the things that they really want to do like go on the Internet e.g. call their mum or download rude pictures of Lindsey Dawn Mackenzie.

6. Hot Unobtainable Product Demo

Examples: MS Surface (The Possibilities), Nokia Evolve, Nokia Morph Concept, Vodaphone Futures (no longer available), BMW GINA

This is similar to #5 but it shows the product doing something that hasn’t really been released and you don’t even know if it’s possible. If you want consumers to know how clever you are, this is the pattern for you. Make sure you get a fairly cheesy female voiceover who sounds like she’s from the future and she’s already bored by this shit but she’s telling you about it anyway. Think robotic sex slaves or being able to play Halo 10 with only your mind!

7. Infovert OR Stunning Visual Presentation of a Truth which Everyone Sort of Already Knew But Needed Someone in Advertising to Tell Them with Nice Pictures

Example: Dove Evolution

This is similar to the Brand Halo Effect pattern because it has a very core and universal truth which is revealed only at the end. This is pretty good if you sell something that is very socially responsible and/or humanitarian. This kind of stuff gets people talking in the pub because it’s simple and people only talk about simple thing because they are partially drunk on cheeky Vimtos. Dove’s genius here is really the fact that they have used this technique at all. Audacity and irreverence is key here.

8. WTF? How Do They Do That?

Examples: OKGO Treadmill Dancing, Human Tetris, Zack Kim’s Guitar Performances, Kobe Bryant Jumping over Snakes or Aston Martins, 3 Year-old solves a Rubix Cube, Burger King Eat Like a Snake, Nike Freestyle, the list goes on.

This is probably the most common (and annoying?) viral pattern right now but it seems to work over and over again. It’s good for sports brands because they can claim their product can do something that it simply cannot and they aren’t really going to get sued for it because they can say it wasn’t them. Flimsy legislation means that you can infer your product adds to the person’s success in some way without saying it outright. What’s more, if you film it in a really crap way using a camera phone you can make it more believable, the more lo-fidelity the better for this pattern really. In a way, it’s better to have something that almost seems possible but it still really needs to be credible. This is a useful pattern if your product is somehow intended to enhance performance such as trainers, sports drinks, vitamins or those cock rings that Durex started punting around recently.

Be careful on the legal front with this one, best not to share this with the legal team at all really - just upload it anyway and pin it on some kid in Reading when the heat is on.

9. Empowerment Branding

Example: Nike - Take it to the Next Level

This is another fairly modern pattern where your regular Joe does something great, power to the people right on! This is very emotionally appealing and is good for high-involvement categories such as football or Tampax.

10. Nice Big Juicy Hits

Example: Blow job on the beach (two girls blowing up a lilo on a beach)

I’m adding this one if you’re fairly desperate and have a client who’s not too precious about their brand. Apparently, the little screenshots of YouTube videos are taken automatically at a very specific point in your movie. Therefore, if you place suggestive imagery at just the right place people will flock to it in droves thinking it has porn in it. Don’t push this one too much as credibility is low. Better off giving this idea to a junior creative that you’re trying to get rid of and let them hang themselves with it. This pattern will only attract randy boys, so if that’s your thing, knock yourself out.

11. Out-of-Character Celebrity

Example: Sad Kermit, Drench Spring Water ‘Brains’.

Think about ’secretly’ filming the normally placid and lovable Terry Wogan blowing his stack and going nuts, slapping the face of his assistant for over-brewing his beloved and delicious PG Tips. Likewise, how about ex-Big Brother’s Jade Goody reciting the periodic table of elements and the early poetry of Keats in order to prove how much better your brain performs after drinking Drench Spring Water? The same pattern worked wonderfully on CHI’s wonderful ‘Brains…’ ad.

This has the added benefit of increased targeting. If you can get someone that a target audience loves and identifies with doing something unexpected, you’re on to a winner. This has to be one of my favourite patterns of the moment.

12. Animal Personification

Examples: Drumming Gorilla, Elephant doing a self-portrait, Rolling Rock Beer Ape

People don’t seem to be able to get enough of this stuff on the YouToobs. Talking dogs, dancing bears, alcoholic dolphins - these are timeless classics that you can pull out if you want to do something non-product focused and irreverent. This is simply for entertainment value and all you can do to brand it is either stick a DOG (the annoying digital ones you see on TV not the ones that bark and poo), do some product placement or something subliminal.

13. Weird Science

Example: Diet Coke & Mentos, Mobile Phone Popcorn, Will It Blend?

Wow, I didn’t realise you could do that with that! Lots of products in the average home feature chemical compounds that can be combined to create a party of noxious or explosive properties that can delight to the senses. It doesn’t even need to be real, the mobile phone popcorn one certainly wasn’t. Get yourself a Bunsen burner off eBay and see what you can do in your nan’s kitchen with some cat food and a bottle of Domestos.

14. Where’s the dignity?

Example: Angry German Kid, Office Worker Freak Out, Numa Numa, Nintendo Sixty FOOOOOUUUR, Leave Britney Alone, Don’t Tase Me Bro!

These things will always be very funny. It’s human nature to pick on our fellow man and then relish the shocking behaviour they exhibit. This is similar to the ‘Personified Animals’ pattern in that this is good entertainment value and you just need to stick your brand in there somehow. Like the ‘Personified Animals’ pattern, because you’re just attaching your brand to something that is already entertaining, you just need to do some intelligent product placement.

The added beauty of this one is that people are likely to remix your stuff and the message can live on forever in the land of internets.

15. It’s business time

Examples: Flight of the Conchords, Box Man

Personally I hate funny songs - that was until I needed my guts surgically inserted back into my body after listening to ‘Business Time’ by Flight of the Conchords. This is some hilarious shit and is on a par with anything by The Mighty Boosh.

Be very careful with this one, if you try and rip something else off blatantly or you simply are not funny enough you might have a Turkey Twizzler on your hands. You have been warned! Take a look at this utterly terrible spot featuring the Honey Monster crimping his head off [Update 15th July: it's now been removed from most places online after legal nonsense from the Boosh]. It simply cannot compete with the genius of the original and it gets no creds for cultural relevance.

16. Super-delusional weirdo

Example: Ask a Ninja, The Unforgivable Series, Master Chief Sucks at Halo 3

This is another entertainment-only piece that will need clever product placement to work for your brand. These can be fairly funny and, looking at what has succeeded in the past, the weirder the better in my opinion.

17. Shock Tactics

Example: Carlsberg & Mentos (Final Destination rip-off)

This one’s fairly simple, you take a situation where the viewer is expecting something very predictable to happen but you shock them with something completely different. With this, it’s really important to make sure that your brand is meaningful to the context, otherwise your brand will benefit nothing. People will talk about your ad but they wont remember what it was for.

18. Violate a Stereotype

Example: Prep Unit - Tea Party, Citroen Alive with Technology

Take two high-level and completely disparate stereotypes, something along the lines of an insurance underwriter and an Emo kid or a mime artist and a lawyer. This can be very product focused as you can use the profession involved with the product somehow. It doesn’t need to be about a profession, Euro RSCG messed with people’s preconceived notions of what you can do with a car in their ‘Alive With Technology’ TVC for the Citroen C4. Why not mess with people’s preconceived notion of what you can do with your own product? Be outlandish and think big. You’re likely to make a lot of money out of this one if you can crack it.

19. Irritating Catchphrases

Example: Budweiser Wassup, Lynx Boom Chicka Wah Wah

This is perhaps the most difficult pattern to do well and you should probably steer clear of it entirely. Quite frankly, the only way this can be pulled off is if you happen to catch some kids drinking in the local park repeating each other saying the same zany thing over and over. What’s great about this is that the catch phrase just needs to be funny, it doesn’t even need to be about your product. This can work well if you are selling your product to young men with a puerile sense of humor, again Nuts readers and people who actually buy Lynx. Another added benefit is that you can get some revenge on those little shits in the park that keep leaving 20/20 bottles and empty fag packets all over your beautiful local Victorian park.

20. Objects Doing Things They Really Weren’t Made For

Example: Guinness Tipping Point, Citroen Car - Alive with Technology

This is very similar to the ‘Violate a Stereotype’ pattern but is more specific. There’s a million miles left to go on this one. Lots of people loved the idea of using fridges as dominoes, why not get two monkeys to drive a Volvo Estate car across the surface of mars to demonstrate the safety and air conditioning? Or have the cranes that cast shadows across London falling in love with cars below, gently hugging them while everyone else has gone to sleep?

These ideas probably seem a bit rubbish but get some creatives pissed on cheeky Vimtos and see them clamoring to tell you their ‘big idea’.

You’ll find there are plenty of opportunities for product placement here if you have a product that is easily recognisable.

21. Connect Video Games to Real Life

Example: Coke Commercial, GamesBreakOut

This is very much aimed at young folks but merging the worlds of immersive gaming and advertising can come up with some pretty funny ideas.

______________________________________________________________________________

So there you go, I’ve come up with a few here that I think should help you get started but there are no doubt hundreds more. Feel free to email me your patterns or add them into the comments and I’ll compile them into a ‘Part 2′. So, make up your own, try and identify the patterns in other channels and generally start astonishing your colleagues with your new-found sense of creativity and enlightenment. Then get yourself down to the pub for the afternoon with a pork pie and a bottle of Babycham.

Source - Ship's Biscuit

Engineering Habits

Habits are often attributed with negatives such as smoking or biting your nails. However, for marketers and certain NGOs, a habit can be a tool that can have a profound impact on targets and sales (for marketers :) Find out how certain brands and organizations are leveraging this psychological bombshell.

A few years ago, a self-described “militant liberal” named Val Curtis decided that it was time to save millions of children from death and disease. So Dr. Curtis, an anthropologist then living in the African nation of Burkina Faso, contacted some of the largest multinational corporations and asked them, in effect, to teach her how to manipulate consumer habits worldwide.

Dr. Curtis, now the director of the Hygiene Center at the London School of Hygiene & Tropical Medicine, had spent years trying to persuade people in the developing world to wash their hands habitually with soap. Diseases and disorders caused by dirty hands — like diarrhea — kill a child somewhere in the world about every 15 seconds, and about half those deaths could be prevented with the regular use of soap, studies indicate.

But getting people into a soap habit, it turns out, is surprisingly hard.

To overcome this hurdle, Dr. Curtis called on three top consumer goods companies to find out how to sell hand-washing the same way they sell Speed Stick deodorant and Pringles potato chips.

She knew that over the past decade, many companies had perfected the art of creating automatic behaviors — habits — among consumers. These habits have helped companies earn billions of dollars when customers eat snacks, apply lotions and wipe counters almost without thinking, often in response to a carefully designed set of daily cues.

“There are fundamental public health problems, like hand washing with soap, that remain killers only because we can’t figure out how to change people’s habits,” Dr. Curtis said. “We wanted to learn from private industry how to create new behaviors that happen automatically.”

The companies that Dr. Curtis turned to — Procter & Gamble, Colgate-Palmolive and Unilever — had invested hundreds of millions of dollars finding the subtle cues in consumers’ lives that corporations could use to introduce new routines.

If you look hard enough, you’ll find that many of the products we use every day — chewing gums, skin moisturizers, disinfecting wipes, air fresheners, water purifiers, health snacks, antiperspirants, colognes, teeth whiteners, fabric softeners, vitamins — are results of manufactured habits. A century ago, few people regularly brushed their teeth multiple times a day. Today, because of canny advertising and public health campaigns, many Americans habitually give their pearly whites a cavity-preventing scrub twice a day, often with Colgate, Crest or one of the other brands advertising that no morning is complete without a minty-fresh mouth.

A few decades ago, many people didn’t drink water outside of a meal. Then beverage companies started bottling the production of far-off springs, and now office workers unthinkingly sip bottled water all day long. Chewing gum, once bought primarily by adolescent boys, is now featured in commercials as a breath freshener and teeth cleanser for use after a meal. Skin moisturizers — which are effective even if applied at high noon — are advertised as part of morning beauty rituals, slipped in between hair brushing and putting on makeup.

“OUR products succeed when they become part of daily or weekly patterns,” said Carol Berning, a consumer psychologist who recently retired from Procter & Gamble, the company that sold $76 billion of Tide, Crest and other products last year. “Creating positive habits is a huge part of improving our consumers’ lives, and it’s essential to making new products commercially viable.”

Through experiments and observation, social scientists like Dr. Berning have learned that there is power in tying certain behaviors to habitual cues through relentless advertising.

As this new science of habit has emerged, controversies have erupted when the tactics have been used to sell questionable beauty creams or unhealthy foods. But for activists like Dr. Curtis, this emerging research offers a type of salvation.

For years, many public health campaigns that aimed at changing habits have been failures. Earlier this decade, two researchers affiliated with Vanderbilt University examined more than 100 studies on the effectiveness of antidrug campaigns and found that, in some cases, viewers’ levels of drug abuse actually increased when commercials were shown, perhaps in part because the ads reminded them about that bag of weed in the sock drawer.

A few years later, another group examined the effectiveness of advertising condom use to prevent AIDS. In some cases, rates of unprotected sex actually went up — which some researchers suspected was because the commercials made people more frisky than cautious.

To teach hand washing, about seven years ago Dr. Curtis persuaded Procter & Gamble, Colgate-Palmolive and Unilever to join an initiative called the Global Public-Private Partnership for Handwashing With Soap. The group’s goal was to double the hand-washing rate in Ghana, a West African nation where almost every home contains a soap bar but only 4 percent of adults regularly lather up after using the toilet.

Over the last several years, such partnerships between corporations and those trying to save the world have become commonplace. Companies like Microsoft, Pfizer and General Electric have worked with nonprofit groups on health, technology and energy programs.

Not everyone is comfortable with the arrangements. Some critics complain that public health professionals are becoming too cozy with companies ultimately focused on their bottom lines. Others worry that these advertising techniques may be manipulative.

But what Dr. Curtis learned in Ghana suggests that saving the world may be as easy as hawking chewing gum, or, to use a more contemporary example, as simple as training Americans to spray perfumed water on couches that are already clean.

FEBREZE — the perfumed water used on couches — is one of the most successful examples of a habit-creation campaign, and, in a sense, the playbook for how Ghana learned to wash its hands.

Procter & Gamble introduced Febreze in 1996 as a way to remove odors from smelly clothes. Consumer surveys had shown that people were leaving their jackets and blouses outside after an evening in a smoke-filled bar. P.& G., which at the time already sold products that cleaned one out of every two laundry loads washed in American homes, decided to spend millions to create a spray to remove offensive smells.

The company ran advertisements of a woman complaining about a blazer that smelled like cigarette smoke. Other ads focused on smelly pets, sweaty teenagers and stinky minivan interiors.

But Febreze flopped. In fact, early sales were so disappointing that the company considered canceling the entire project.

One of the biggest problems, P.& G.’s researchers discovered, was that bad smells simply didn’t happen often enough in consumers’ lives. Interviews showed that consumers liked Febreze when they used it, but that many customers simply forgot that it was in the house.

At about the same time, the company’s staff psychologists were beginning to extend their understanding of how habits are formed.

“For most of our history, we’ve sold newer and better products for habits that already existed,” said Dr. Berning, the P.& G. psychologist. “But about a decade ago, we realized we needed to create new products. So we began thinking about how to create habits for products that had never existed before.”

Academics were also beginning to focus on habit formation. Researchers like Wendy Wood at Duke University and Brian Wansink at Cornell were examining how often smokers quit while vacationing and how much people eat when their plates are deceptively large or small.

Those and other studies revealed that as much as 45 percent of what we do every day is habitual — that is, performed almost without thinking in the same location or at the same time each day, usually because of subtle cues.

For example, the urge to check e-mail or to grab a cookie is likely a habit with a specific prompt. Researchers found that most cues fall into four broad categories: a specific location or time of day, a certain series of actions, particular moods, or the company of specific people. The e-mail urge, for instance, probably occurs after you’ve finished reading a document or completed a certain kind of task. The cookie grab probably occurs when you’re walking out of the cafeteria, or feeling sluggish or blue.

Our capacity to develop such habits is an invaluable evolutionary advantage. But when they run amok, things can become tricky.

Consider a series of experiments Dr. Wansink performed with a bowl of tomato soup that was secretly connected to a tube that pumped more and more liquid into the bowl. Diners ended up eating almost twice as much soup as usual, though they didn’t report feeling any fuller after the meal.

Dr. Wood studied exercise habits among students who transferred from one college to another. When locations remained stable — the new school had an outdoor track just like the old school, for example — students continued running regularly. But if the tracks were too different, the exercise tapered off, on average. In another experiment, conducted by researchers studying smokers, those wanting to quit were more than twice as successful if they started kicking the habit while on vacation, when surrounded by unfamiliar people and places.

“Habits are formed when the memory associates specific actions with specific places or moods,” said Dr. Wood, a professor of psychology and neuroscience at Duke. “If you regularly eat chips while sitting on the couch, after a while, seeing the couch will automatically prompt you to reach for the Doritos. These associations are sometimes so strong that you have to replace the couch with a wooden chair for a diet to succeed.”

The researchers at P.& G. realized that these types of findings had enormous implications for selling Febreze. Because bad smells occurred too infrequently for a Febreze habit to form, marketers started looking for more regular cues on which they could capitalize.

The perfect cue, they eventually realized, was the act of cleaning a room, something studies showed their target audience did almost daily. P.& G. produced commercials showing women spraying Febreze on a perfectly made bed and spritzing freshly laundered clothing. The product’s imagery was revamped to incorporate open windows and gusts of fresh wind — an airing that is part of the physical and emotional cleaning ritual.

“We learned from consumer interviews that there was an opportunity to cue the clean smell of Febreze to a clean room,” Dr. Berning said. “We positioned it as the finishing touch to a mundane chore. It’s the icing that shows you did a good job.”

In a sense, a product originally intended for use on piles of smelly, dirty clothes was eclipsed by its exact opposite — a product used when women confronted a clean and tidy living room. And the more women sprayed, the more automatic the behavior became.

Today, Febreze is one of P.& G.’s greatest successes. Customers habitually spray tidied living rooms, clean kitchens, loads of fresh laundry and, according to one of the most recent commercials, spotless minivans. In the most recent fiscal year, consumers in North America alone spent $650 million buying Febreze, according to the company.

Dozens of other companies have also redesigned advertising campaigns around habitual cues. Beer commercials, once filled with busty women in ill-fitting tops, are now more likely to feature groups of buddies, because research shows that groups of friends are one of the strongest habit cues. Candy bar companies, through commercials, have tied their products to low-energy cues, transforming what was once a dessert into a pick-me-up for cubicle dwellers.

FOR Dr. Curtis and the Global Public-Private Partnership for Handwashing With Soap, such tactics offered enormous promise in a country like Ghana.

That nation offered a conundrum: Almost half of its people were accustomed to washing their hands with water after using the restroom or before eating. And local markets were filled with cheap, colorful soap bars. But only about 4 percent of Ghanaians used soap as part of their post-restroom hand-washing regime, studies showed.

“We could talk about germs until we were blue in the face, and it didn’t change behaviors,” Dr. Curtis said. So she and her colleagues asked Unilever for advice in designing survey techniques that ultimately studied hundreds of mothers and their children.

They discovered that previous health campaigns had failed because mothers often didn’t see symptoms like diarrhea as abnormal, but instead viewed them as a normal aspect of childhood.

However, the studies also revealed an interesting paradox: Ghanaians used soap when they felt that their hands were dirty — after cooking with grease, for example, or after traveling into the city. This hand-washing habit, studies showed, was prompted by feelings of disgust. And surveys also showed that parents felt deep concerns about exposing their children to anything disgusting.

SO the trick, Dr. Curtis and her colleagues realized, was to create a habit wherein people felt a sense of disgust that was cued by the toilet. That queasiness, in turn, could become a cue for soap.

A sense of bathroom disgust may seem natural, but in many places toilets are a symbol of cleanliness because they replaced pit latrines. So Dr. Curtis’s group had to create commercials that taught viewers to feel a habitual sense of unseemliness surrounding toilet use.

Their solution was ads showing mothers and children walking out of bathrooms with a glowing purple pigment on their hands that contaminated everything they touched.

The commercials, which began running in 2003, didn’t really sell soap use. Rather, they sold disgust. Soap was almost an afterthought — in one 55-second television commercial, actual soapy hand washing was shown only for 4 seconds. But the message was clear: The toilet cues worries of contamination, and that disgust, in turn, cues soap.

“This was radically different from most public health campaigns,” said Beth Scott, an infectious-disease specialist who worked with Dr. Curtis on the Ghana campaign. “There was no mention of sickness. It just mentions the yuck factor. We learned how to do that from the marketing companies.”

The ads had their intended effect. By last year, Ghanaians surveyed by members of Dr. Curtis’s team reported a 13 percent increase in the use of soap after the toilet. Another measure showed even greater impact: reported soap use before eating went up 41 percent.

And while those statistics haven’t silenced critics who say habit-forming advertisements are worrisome, they have convinced people who run other public health initiatives that the Ghana experiment is on the right track.

Today, public health campaigns elsewhere for condom use and to fight drug abuse and obesity are being revamped to employ habit-formation characteristics, according to people involved in those efforts. One of the largest American antismoking campaigns, in fact, is explicitly focused on habits, with commercials and Web sites intended to teach smokers how to identify what cues them to reach for a cigarette.

“For a long time, the public health community was distrustful of industry, because many felt these companies were trying to sell products that made people’s lives less healthy, by encouraging them to smoke, or to eat unhealthy foods, or by selling expensive products people didn’t really need,” Dr. Curtis said. “But those tactics also allow us to save lives. If we want to really help the world, we need every tool we can get.”

Source - New York Times

Sign Of The Times

Is the zeitgeist of a generation affected by the communication channels of its time? Just think of the benefits of an iphone over a carrier pigeon! Extreme examples aside, the following link illustrates differences in communication among more recent generations.

Boomers had it pretty simple back in their youth. Want to connect with your friends? Write them a letter, give them a call or go and see them.
How Baby Boomers Communicated

Gen X-ers had a little more fun. They could’ve emailed each other over 28.8 or used their pagers to send 1-sentence messages back and forth.
How Gen X Communicated

Here’s what Generation Y uses to stay in touch.
How Generation Y Communicates

To an outsider, it can be a confusing to understand how Gen Y uses those channels just to talk to each other. After all, Boomers just had three channels and they made friends just fine.

To put things in context, here’s what my communication habits are like and how I use the above.

Looking at that chart makes me envy my father’s generation. They didn’t have to worry about drunk texts. Or having personal information all over the internet.

Source - The Marketing Student

Choose Your Own Adventure 2.0

This is a fun evolution of the "choose your own adventure" books we used to read as kids. Although the premise of the video isn't overly exciting, the idea itself has legs. Provide your consumers with a compelling story and just think of the time they will spend interacting with your brand. Be sure to click on the video link to be able to interact with the story.

“Choose Your Own Adventure” via Youtube - why didn’t we think of that? Youtube’s video response feature is a perfect set-up for homemade choose your own adventure storytelling. The popular book series allows its readers to determine how stories will end by directing them to specific pages depending on which next step (they’re given multiple options) they want to take the characters on. Youtube user SMPfilms’ video series is similar, allowing the viewer to make the next move in the story (in this case, finding the main character’s cat) by choosing one of the video responses featured on the first clip’s page. You can watch the beginning here, but you’ll have to click-through to Youtube to embark on the adventure…

Click HERE for the video.

Source - IF